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Davis Community Church
Davis, California
May 28, 2024

Jacksonville Oregon Workshop
June 1, 2024

Eugene Oregon Workshop
June 8, 2024

Lake Oswego Oregon Workshop
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Portland Oregon Art Studio Workshop
June 11, 2024

Artichoke Music Workshop
June 13, 2024 Portland, Oregon

Wooden Cross Lutheran Church
June 15, 2024 Woodinville, Washington

Birdhouse Studio
June 16, 2024 Bellingham, Washington

Ukesta Spokane
June 18, 2024 Spokane, Washington

Kamloops Summer Festival
Sorrento Retreat, British Columbia
June 19-23, 2024

Pentiction Ukulele Group
June 26, 2024 Penticton, BC, Canada

Wandering Ukulele Workshop Tour 2024

Des Moines Ukulele Strummers
Urbandale, Iowa
July 13, 2024

Kansas City Ukesters
Prairie Village, Kansas
July 16, 2024

Normal, Illinois Group
Normal, Illinois
July 20, 2024

Cheezland Ukulele Band
La Crosse, Wisconsin
July 24, 2024

Old Town School of Folk Music
Chicago, Illinois
July 25, 2024

Highland Community Center
Highland, Indiana
July 27, 2024

Elderly Instruments
E. Lansing, Michigan
August 3, 2024

Reno Ukulele Festival
Sparks, Nevada
October 9-12, 2024

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3 Questions Interviewe: Aaron Keim (Practice & Learning)

Posted on: November 30th, 2009 by dville

Unknown-3Aaron Keim’s playing covers the tonal spectrum, from string bass to ukulele. He is a member of the popular indie folk band Boulder Acoustic Society and also plays in the old timey duo Flatfoot with his wife Nicole. Aaron is also a skilled luthier having recently started The Beansprout Banjo Company. In his spare time Aaron works on his Master’s of Music at CU-Boulder and teaches lessons on ukulele, banjo, bass and guitar.
1. Does your knowledge of playing bass translate into your ukulele playing?

Absolutely. Bass playing is all about structure and support. I therefore think of a piece of music as it relates to the overall chord changes, phrasing, symmetry and long term shape of the tune. I am sure this effects my ukulele playing by keeping things focused, distinct and structured. Also, many of the fills and melodic bits I play between chords or strums are often just bass lines transposed to the uke! For this example of My Buckets Got A Hole In It I mixed a “note-strum-note-strum” approach with some simple bass runs. These are little melodic fragments that link the chords together. It is something that bass players do all the time but ukers often don’t think about! Bass Runs for My Buckets Got A Hole In It

2. Any suggestions on how to practice more efficiently?

SLOW DOWN AND INSIST ON QUALITY! I am weary of hearing people playing fast and sloppy. Cut the piece up into chunks and learn it bit by bit. When all the chunks are ready, practice linking them together and then build up the speed. Use a metronome and electronic tuner. Lastly, split your practice time into focused mindful practicing and playful improvisation. These two approaches make for a well balanced uke player!

3. Do you approach learning new material in a “by ear” approach?

Yes, all the time. Unlike many of your readers though, I had college level ear training, music theory, arranging, singing, composition, etc. Since then I have combined this knowledge with techniques and traditions from folk, blues and jazz which used to be always taught by ear. I can read music and tab on uke, but I would rather learn a piece by ear from a friend or a CD.

I highly recommend all of your readers try to learn music from recordings instead of doing the Google search for the chords and lyrics first. It will be very hard at first, but it will make you a better musician if you stick with it!

Aaron Keim MySpace Page

Aaron Keim YouTube

 

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